Monday, April 19, 2021

What Do You See?





Edgar Degas, France 1834-1917, "In a Cafe" (alt. title "L'Absinthe" - absinthe is a type of liquor) 1852

 

                                Edward Hopper, America 1882-1967, "Nighthawks" 1942

What Do You See?

The paintings, "In a Cafe" also called "L'Absinthe," painted in 1852, by Edgar Degas, and

"Nighthawks," painted in 1942, by Edward Hopper has many similarities while still being unique. At a

professional level or an amateur level, art remains one of the major forms of human expression, an artist

is trying to communicate.

From commercials with cartoon characters smoking cigarettes to magazine ads with

doctors recommending a certain brand of cigarette, tobacco has been enjoyed and admired by society 

for decades until the advancement of medical science that now advises against the consumption of 

tobacco products. In a café, a well-dressed man can be seen with a wooden pipe in his mouth and in the 

painting Nighthawks, a billboard advertisement for Phillies, a type of cigar that still exists in a store 

near you. The wooden tobacco pipe, In a café depicts, was a common device used to consume tobacco 

in 1852. Considering all the ways one can now consume tobacco, the tobacco pipe has become a less

common method to use tobacco. This becomes clear in Nighthawks; the wooden pipe is now replaced 

by a more modern and convenient method to use tobacco, the Cigar. The desire to consume 

tobacco now consumes both eras. One method is just more modern than the other.

             Dressing well has always been a luxury. From kings wearing gold to Gucci suits, money can 

buy you the finest. The people in both paintings are dressed well, so to speak, from a lovely hat the lady

is wearing in L-absinthe to the blue suit with a grey fedora, the man is wearing in Nighthawks. The only

one not dressed luxuriously is the waiter at the diner in Nighthawks, he does not have the luxury to do 

so. As he must tend to the patrons.

            The couple in L-absinthe, dress very nicely, as does the woman at the diner in Nighthawks, with

her bright red dress. Both couples could very well be on a big night out. Someone could question while

viewing both paintings, “Is it their first stop or last stop?” That is the beauty of such a capture, one that

can be pulled directly from real-time. Both artists do this well in these paintings.

            Both paintings are snapshots taken of a social environment. Nighthawks takes place at a diner,

while L'Absinthe takes place in a café. Coffee can be seen in Nighthawks while Absinthe is being

served in the painting In a café. The alcoholic beverage Absinthe was illegal in the United States

because of the toxic properties it contained. Until regulations on the measurement of toxic herbs used to

create the beverage were put into place in 2007. Diners in the U.S.A around 1942, would not be serving

up this drink. But in France in the year 1852, the toxic drink could be enjoyed regularly. The darkness 

that surrounds the diner is illuminated by the bright, welcoming lights on the ceiling of the diner. The 

light In a café comes from somewhere unseen, but it comes from in front o the couple in the painting 

because their shadows can be seen cast behind them. The darkness from Nighthawks comes from the 

structures that exist beyond the diner. They are vacant, not occupied late at night. Sepia tones bring 

darkness to the painting L-Absinthe. These reddish-brown tones can be seen in the lady’s dress as well 

as the booth, the couple is seated at.

            The colors are bright and vivid in Nighthawks. From the countertops to empty shelves across the

street of the diner, vivid colors are seen on the buildings and sidewalks, illuminated by the diner light.

The colors in L-absinthe are dark, muted, and hazy, even with all the light colors that are seen 

throughout the painting cannot overcome the haziness of the matte colors that make the painting look 

heavy.

            In a café adds more weight to the heaviness of the overall painting when observing the focal

point. The look of despair on the woman’s face could tell a story all on its own. It is haunting, much 

like the emptiness felt when being alone in a crowded room like the late-night atmosphere of 

the diner in Nighthawks. The diner has a bigger group of people than the café, yet both paintings 

display an equal amount of loneliness. The blank silent stares from the customers in the diner shadow 

the sad haunting stare of the lady in the café, both appear to be waiting for something. The lady looks 

to be waiting for the attention of the man as he fixes his gaze elsewhere. Each patron in the diner waits 

in silence. Waiting for anything to break that silence.

            Human expression is a vital tool we use to connect to one another, in person, photographs,

through motion pictures and art. A smile has no language barrier, nor does a frown. The human

expression is our greatest form of communication with each other. Human existence has been

expressed through art for an exceptionally long time. Art that can be found on cave walls, inside the

tombs of kings and from all corners of the earth, in this way, various parallels can be seen in art 

depicting human expression, while remaining distinctive. The artist can connect with an observer 

and communicate directly through the art itself. What do you see? 


 

The Spaces Between Us.

Chapter Four: Unveiled Challenges. The spring and the blossoming relationship between Hailey and Jayden seamlessly transitioned into a sum...